MAGGIE MAE						Rod Stewart, 1971 (#1)

WAKE UP MAGGIE I THINK I'VE GOT SOMETHING TO SAY TO YOU
IT'S LATE SEPTEMBER AND I REALLY SHOULD BE BACK AT SCHOOL
I KNOW I KEEP YOU AMUSED BUT I FEEL I'M BEING USED
OH MAGGIE I COULDN'T HAVE TRIED ANY MORE
YOU LED ME AWAY FROM HOME JUST TO SAVE YOU FROM BEING ALONE
YOU STOLE MY HEART AND THAT'S WHAT REALLY HURTS

THE MORNING SUN WHEN IT'S IN YOUR EYES REALLY SHOWS YOUR AGE
BUT THAT DON'T WORRY ME NONE, IN MY EYES YOU'RE EVERYTHING
I LAUGHED AT ALL OF YOUR JOKES, MY LOVE YOU DIDN'T NEED TO COAX
OH MAGGIE I COULDN'T HAVE TRIED ANY MORE
YOU LED ME AWAY FROM HOME JUST TO SAVE YOU FROM BEING ALONE
YOU STOLE AND MY SOUL AND THAT'S A PAIN I CAN DO WITHOUT

ALL I NEEDED WAS A FRIEND TO LEND A HELPING HAND
BUT YOU TURNED INTO A LOVER AND MOTHER WHAT A LOVER
   YOU WORE ME OUT
ALL YOU DID WAS WRECK MY BED AND IN THE MORNING
   KICK ME IN THE HEAD
OH MAGGIE I COULDN'T HAVE TRIED ANY MORE
YOU LED ME AWAY FROM HOME JUST TO SAVE YOU FROM BEING ALONE
YOU STOLE AND MY HEART, I COULDN'T LEAVE YOU IF I TRIED

I SUPPOSE I COULD COLLECT MY BOOKS AND GO ON BACK TO SCHOOL
OR STEAL MY DADDY'S CUE AND MAKE A LIVING AT PLAYING POOL
OR FIND MYSELF A ROCK AND ROLL BAND THAT NEEDS A HELPING HAND
OH MAGGIE I WISHED I'D NEVER SEEN YOUR FACE
YOU MADE A FIRST CLASS FOOL OUT OF ME BUT I'M AS BLIND
   AS A FOOL CAN BE
YOU STOLE MY HEART BUT I LOVE YOU ANYWAY

ENDING:

...MAGGIE, I WISH I'D NEVER SEEN YOUR FACE
I'LL GET ON BACK HOME ONE OF THESE DAYS, WHOO HOO HOO

VERSE 	5		4		1		1
		5		4		1		1
		4		1		2m		5
		2m		3m		2m		2m-5
		2m		5		2m		5
		2m		5-4		1		1

 SOLO 	2m		5		1		4
		2m		4		1		1
		2m		5		1		4
		2m		4		1       (to ending)

  END	2m		4		1		1  . . .


MAGIC CARPET RIDE				   Steppenwolf (#3,1968)

I LIKE TO DREAM
RIGHT BETWEEN THE SOUND MACHINE
BY THE TIME I GET TO YESTERDAY'S LIGHT IF EVERYTHING GOES RIGHT
GOES FAST, FLIES NEAR, TOO FAR AWAY FROM HERE

CHORUS (after each verse)

WELL YOU DON'T KNOW WHAT WE CAN FIND
WHY DON'T YOU COME WITH ME LITTLE GIRL ON A MAGIC CARPET RIDE
YOU DON'T KNOW WHAT WE CAN SEE
WHY DON'T YOU TELL YOUR DREAMS TO ME--FANTASY WILL SET YOU FREE
CLOSE YOUR EYES GIRL, CLOSE 'EM TIGHT GIRL
LET THE SOUND TAKE YOU AWAY

LAST NIGHT I HELD ALLADIN'S LAMP
   SORT OF WISHED THAT I COULD STAY
BEFORE THE THING COULD ANSWER ME
   WELL SOMEONE THEN TOOK THE LAMP AWAY
I LOOKED AROUND..LOUSY CAN WAS ALL I FOUND

 VERSE	1-b7		4		1-b7		4
		1-b7		4		1-b7		4
		1-b7		4		1-b7		4
		1-b7		4		1-b7		4

CHORUS	1-b7		4		1-b7		4
		1-b7		4		1-b7		4
		1-b7		4		1-b7		4
		1-b7		4		1-b7		4
		4		4		b6		b6
		b7		b7
		4		47		4		47
		4		47		4		47

SOLO 	2-27		2-27		2-27		2-27 . . .


MANDOLIN WIND					        Rod Stewart

WELL THE RAIN CAME, I THOUGHT YOU'D LEAVE ME
'CAUSE I KNEW HOW MUCH YOU LOVED THE SUN
BUT YOU CHOSE TO STAY, STAY AND KEEP ME WARM
THROUGH THE DARKEST NIGHTS I'VE EVER KNOWN
BUT THE MANDOLIN WIND COULDN'T CHANGE A THING
AND I KNOW I LOVE YOU

OH THE SNOW FELL WITHOUT A BREAK
BUFFALO DIED IN THE FROZEN FIELDS, YOU KNOW
THROUGH THE COLDEST WINTER IN ALMOST FOURTEEN YEARS
I COULDN'T BELIEVE YOU CARED TO SMILE
NOW I CAN REST ASSURED KNOWIN' THAT WE'VE SEEN THE WORST
AND I KNOW I LOVE YOU

OH I NEVER WAS GOOD WITH ROMANTIC WORDS
SO THE NEXT FEW LINES COME REALLY HARD
DON'T HAVE MUCH, BUT WHAT I GOT IS YOURS
EXCEPT OF COURSE, MY STEEL GUITAR
'CAUSE I KNOW YOU DON'T PLAY BUT I'LL TEACH YOU ONE DAY
AND YOU KNOW I LOVE YOU

I RECALL THE NIGHT WE KNELT AND PRAYED
NOTICING YOUR FACE WAS THIN AND PALED
I FOUND IT HARD TO HIDE MY TEARS
I FELT ASHAMED, I FELT I'D LET YOU DOWN
NO MANDOLIN WIND COULDN'T CHANGE A THING
COULDN'T CHANGE A THING, NO NO NO...(ending)

 VERSE	4		4		1		1
		4		4		1		1
		4		4		1		1
		4		4		1		1
		5		5		4		4
		4		1		1

ENDING	5		5		4		4
		4		4		5		5  (repeat...)


MIDNIGHT AT THE OASIS		  Maria Muldaur, 1974 (#6)
written by David Nichtern

MIDNIGHT AT THE OASIS, SEND YOUR CAMEL TO BED
SHADOWS PAINTIN' OUR FACES, TRACES
   OF ROMANCE IN OUR HEADS

HEAVEN'S HOLDIN' A HALF-MOON SHININ' JUST FOR US
LET'S SLIP OFF TO A SAND DUNE REAL SOON
   AND KICK UP A LITTLE DUST

CHORUS:

COME ON, CACTUS IS OUR FRIEND--HE'LL POINT OUT THE WAY
COME ON, TILL THE EVENIN' ENDS, TILL THE EVENIN' ENDS

YOU DON'T HAVE TO ANSWER, THERE'S NO NEED TO SPEAK
I'LL BE YOUR BELLY DANCER, PRANCER
	AND YOU CAN BE MY SHEIK

I KNOW YOUR DADDY'S A SULTAN, A NOMAD KNOWN TO ALL
WITH FIFTY GIRLS TO ATTEND HIM, THEY ALL SEND HIM
	JUMP AT HIS BECK AND CALL

BUT YOU WON'T NEED NO HAREM HONEY
	WHEN I'M BY YOUR SIDE
AND YOU WON'T NEED NO CAMEL, NO NO
	WHEN I TAKE YOU FOR A RIDE  (chorus & verse 1)

  VERSE	1+7		4-b77	     1+7		4-b77	
		1+7		4-b77		b3-b67	4-57

		(key change--up 1/2 step)

CHORUS	1-27		57-3m7	1-27		57-3m7
		1-27		57-3m7	b4-b57


MIDNIGHT SPECIAL

WELL YOU WAKE UP IN THE MORNING
   HEAR THE THE DING DONG RING
YOU GO A-MARCHIN' TO THE TABLE
   SEE THE THE SAME DAMN THING
WELL, IT'S ON ONE TABLE--KNIFE, FORK, AND A PAN
AND IF YOU SAY ANYTHING ABOUT IT
   YOU'RE IN TROUBLE WITH THE MAN

CHORUS (after each verse):

LET THE MIDNIGHT SPECIAL SHINE HER LIGHT ON ME
LET THE MIDNIGHT SPECIAL SHINE HER LIGHT ON ME

IF YOU EVER GO TO HOUSTON YOU BETTER WALK RIGHT
YOU BETTER NOT STAGGER AND YOU BETTER NOT FIGHT
SHERIFF BENSON WILL ARREST YOU, HE'LL CARRY YOU DOWN
AND IF THE JURY FINDS YOU GUILTY YOU'RE PENITENTIARY BOUND

YONDER COME LITTLE ROSIE--HOW IN THE WORLD DO I KNOW
I CAN TELL HER BY HER APRON AND THE DRESS SHE WORE
UMBRELLA ON HER SHOULDER, PIECE OF PAPER IN HER HAND
SHE GOES A-MARCHIN' TO THE CAPTAIN--SAYS "I WANT MY MAN"

  	4		4		1		1
	5		5		1		1
	4		4		1		1
	5		5		1		1


MR. SPACEMAN   	  				Byrds, 1966 (#36)

WOKE UP THIS MORNING WITH LIGHT IN MY EYES
AND THEN REALIZED IT WAS STILL DARK OUTSIDE
IT WAS  A LIGHT COMING DOWN FROM THE SKY
I DON'T KNOW WHO OR WHY

MUST BE THOSE STRANGERS THAT COME EVERY NIGHT
THOSE SAUCER-SHAPED LIGHTS PUT PEOPLE UPTIGHT
LEAVE BLUE-GREEN FOOTPRINTS THAT GLOW IN THE DARK
I HOPE THEY GET HOME ALL RIGHT

CHORUS (after each verse):

HEY MR. SPACEMAN
WON'T YOU PLEASE TAKE ME ALONG--I WON'T DO ANYTHING WRONG
HEY MR. SPACEMAN
WON'T YOU PLEASE TAKE ME ALONG FOR A RIDE

WOKE UP THIS MORNING--I WAS FEELING QUITE WEIRD
HAD FLIES IN MY BEARD--MY TOOTHPASTE WAS SMEARED
OVER MY WINDOW THEY'D WRITTEN MY NAME
SAID "SO LONG, WE'LL SEE YOU AGAIN"

  VERSE	1		1		2		2
		5		5		1		1
		1		1		2		2
		5		5		1		1

CHORUS	5		5		4		4
		2m		2m		1		1
		5		5		4		4
		2m		5		1		1


MONEY							Kingsmen, 1964 (#14)
THE BEST THINGS IN LIFE ARE FREE
   BUT YOU CAN GIVE 'EM TO THE ME BIRDS AND BEES
NOW GIMME MONEY--THAT'S WHAT I WANT
THAT'S WHAT I WANT--THAT'S WHAT I WANT

MONEY DON'T GET EVERYTHING, IT'S TRUE
   WHAT IT DON'T GET I CAN'T USE
JUST GIMME MONEY . . .

CHORUS:

YEAH GIMME MONEY--THAT'S WHAT I WANT
A LITTLE MONEY--THAT'S WHAT I WANT
THAT'S WHAT I WANT--THAT'S WHAT I WANT

YOUR LOVIN' GIVE ME A THRILL
   BUT YOUR LOVIN' DON'T PAY MY BILL
JUST GIMME MONEY . . .

SEE THAT GIRL WITH THE RED DRESS ON
   SHE CAN DANCE ALL NIGHT LONG . . .
JUST GIVE HER MONEY . . .

(Make up your own verses.)


(12-bar blues)
(don't hold on chorus)

1m(hold)   (1m)	     1m(hold)   (1m)
4m		4m		1m		1m
5m		4m		1m		5


MONEY FOR NOTHIN'                  Dire Straits (#1,1985)

NOW LOOK AT THEM YO-YOS, THAT'S THE WAY YOU DO IT
   YOU PLAY THE GUITAR ON THE MTV
THAT AIN'T WORKIN'--THAT'S THE WAY YOU DO IT
   MONEY FOR NOTHIN' AND YOUR CHICKS FOR FREE

NOW THAT AIN'T WORKIN'--THAT'S THE WAY YOU DO IT
   LEMME TELL YA' THEM GUYS AIN'T DUMB
MAYBE GET A BLISTER ON YOUR LITTLE FINGER
   MAY GET A BLISTER ON YOUR THUMB

CHORUS:

WE GOTTA INSTALL MICROWAVE OVENS
   CUSTOM KITCHEN DELIVERIES
WE GOTTA' MOVE THESE REFRIGERATORS
   WE GOTTA MOVE THESES COLOR TV'S

SEE THAT LITTLE FAGGOT WITH THE EARRING AND THE MAKEUP
   YEAH BUDDY, THAT'S HIS OWN HAIR
THAT LITTLE FAGGOT GOT HIS OWN JET AIRPLANE
   THAT LITTLE FAGGOT, HE'S A MILLIONAIRE  (chorus)

I SHOULDA' LEARNED TO PLAY THE GUITAR
   I SHOULDA' LEARNED TO PLAY THEM DRUMS
LOOK AT THAT MAMA--SHE GOT IT STICKIN' IN THE CAMERA
   MAN, COULD WE HAVE SOME FUN

AND HE'S UP THERE--WHAT'S THAT--HAWAIIAN NOISES
   BANGIN' ON THE BONGOS LIKE A CHIMPANZEE
THAT AIN'T WORKIN'--THAT'S THE WAY YOU DO IT
   GET YOU MONEY FOR NOTHIN', GET YOUR CHICKS FOR FREE  (chorus)

 VERSE	Gm		Gm		Gm		Bb-C
		Gm		Gm		Gm		F-Gm

CHORUS	Eb		Ab		Eb		F
		Gm		Gm		C		D      
		E		E


MONSTER MASH				Bobby "Boris" Pickett (#1, 1962)

I WAS WORKING IN THE LAB LATE ONE NIGHT
   WHEN MY EYES BEHELD AN EERIE SIGHT
FOR MY MONSTER FROM THE SLAB BEGAN TO RISE
   AND SUDDENLY TO MY SURPRISE

CHORUS (after each verse):

(HE DID THE MASH)		THEY DID THE MONSTER MASH
	(THEY DID THE MASH)		IT WAS A GRAVEYARD SMASH
(THEY DID THE MASH)		IT CAUGHT ON IN A FLASH
	(THEY DID THE MASH)		THEY DID THE MONSTER MASH

FROM MY LABORATORY IN THE CASTLE EAST
   TO THE MASTER BEDROOM WHERE THE VAMPIRES FEAST
THE GHOULS ALL CAME FROM THEIR HUMBLE ABODE
   TO GET A JOLT FROM MY ELECTRODES

BRIDGE:

THE ZOMBIES WERE HAVING FUN--THE PARTY HAD JUST BEGUN
THE GUESTS INCLUDED WOLFMAN, DRACULA, AND HIS SON

THE SCENE WAS ROCKING, ALL WERE DIGGING THE SOUNDS
   IGOR ON CHAINS BACKED BY HIS BAYING HOUNDS
THE COFFIN BAGGERS WERE ABOUT TO ARRIVE
   WITH THEIR VOCAL GROUP, THE "CRYPT-KICKER FIVE"
 
OUT FROM HIS COFFIN DRAC'S VOICE DID RING
   SEEMS HE WAS TROUBLED BY JUST ONE THING
HE OPENED THE LID AND SHOOK HIS FIST AND SAID
   "WHATEVER HAPPENED TO THE TRANSYLVANIA TWIST?"

NOW EVERYTHING'S COOL, DRAC'S A PART OF THE BAND
   AND MY MONSTER MASH IS THE HIT OF THE LAND
FOR YOU, THE LIVING, THIS MASH WAS MEANT TOO
   WHEN YOU GET TO MY DOOR TELL THEM BORIS SENT YOU

VERSE/CHORUS	1		1		6m		6m
			4		4		5		5

	 BRIDGE	4		4		1		1
			4		4		5 (stop)  (5)


MONY MONY
Tommy James & The Shondells (#3,1968)/Billy Idol (#1,1987)

HERE SHE COMES NOW, MONY MONY
SHOOT EM' DOWN TURN AROUND, COME ON MONY
SHE GIVES ME LOVIN' AND I FEEL ALL RIGHT NOW 
YOU GOT TO TOSS AND TURN IN THE MIDDLE OF THE NIGHT 
   AND I FEEL ALL RIGHT
I SAID YEAH (YEAH)--YEAH (YEAH)
   YEAH (YEAH), YEAH (YEAH), YEAH (YEAH) OOW!

CHORUS (after each verse and bridge):

SO GOOD (MONY MONY)  ALL RIGHT (MONY MONY)  (x4)
I SAID YEAH (YEAH)--YEAH (YEAH)
   YEAH (YEAH), YEAH (YEAH), YEAH (YEAH) OOW!

QUAKE IT, SHAKE IT MONY MONY
SHOT GUN, GET IT DONE, COME ON MONY 
DON'T STOP COOKIN' IT FEELS SO GOOD, YEAH 
DON'T STOP NOW--COME ON MONY, COME ON MONY
YEAH (YEAH)--YEAH (YEAH)
   YEAH (YEAH), YEAH (YEAH), YEAH (YEAH) OOW!

BRIDGE:

YOU KNOW I LOVE YOU MONY MO-MO-MONY (MONY MO-MO-MONY)
MONY MO-MO-MONY (MONY MO-MO-MONY)  (x3)
I SAID YEAH (YEAH)--YEAH (YEAH)
   YEAH (YEAH), YEAH (YEAH), YEAH (YEAH) OOW!

 INTRO	1		1		1		1

 VERSE	1		1		1//4		1    (x3)
		1		1		4
		5		5		5		5

CHORUS	1		1		1		1
		4		4		4		4
		5		5		5		5

BRIDGE	1		4		1		4    (x4)
		5		5		5		5


MOONDANCE					           Van Morrison

IT'S A MARVELOUS NIGHT FOR A MOONDANCE
   WITH THE STARS UP ABOVE IN YOUR EYES
A FANTABULOUS NIGHT TO MAKE ROMANCE
   'NEATH THE COVER OF OCTOBER SKIES
YOU KNOW THE LEAVES ON THE TREES ARE FALLIN'
   TO THE SOUND OF THE BREEZES THAT BLOW
AND I'M TRYIN' TO PLAY TO THE CALLING
   OF YOUR HEARTSTRINGS THAT PLAY SOFT AND LOW
YOU KNOW THE NIGHT'S MAGIC SEEM TO WHISPER AND HUSH
AND ALL THE SOFT MOONLIGHT SEEMS TO SHINE IN YOUR BLUSH

CHORUS:

CAN I JUST HAVE ONE MORE MOONDANCE WITH YOU MY LOVE
CAN I JUST MAKE SOME MORE ROMANCE WITH YOU MY LOVE

WELL I WANT TO MAKE LOVE TO YOU TONIGHT
   I CAN'T WAIT TILL THE MORNING HAS COME
AND I KNOW NOW THE TIME IS JUST RIGHT
   AND STRAIGHT INTO MY ARMS YOU WILL RUN
WHEN YOU COME MY HEART WILL BE WAITING
   TO MAKE SURE THAT YOU'RE NEVER ALONE
THERE AND THEN ALL MY DREAMS WILL COME TRUE DEAR
   THERE AND THEN I WILL MAKE YOU MY OWN
AND EVERY TIME THAT I TOUCH YOU YOU JUST TREMBLE INSIDE
THEN I KNOW HOW MUCH YOU WANT ME THERE YOU CAN'T HIDE

 VERSE	1m-2m	1m-2m	1m-2m	1m-2m
		1m-2m	1m-2m	1m-2m	1m-2m
		1m-2m	1m-2m	1m-2m	1m-2m
		1m-2m	1m-2m	1m-2m	1m
		4m		1m		4m		1m
		4m		1m		2dim		5

CHORUS	1m-4m	1m-4m	1m-4m	1m-4m
		1m-4m	1m-4m	1m-4m	1m-5

            (3/4)

END 	     1m     7        6        5          4m     1m
	 CAN I JUST HAVE ONE MORE MOONDANCE WITH YOU MY LOVE


MORE THAN A FEELING	 		 	 Boston, 1976 (#5)

I LOOKED OUT THIS MORNIN' AND THE SUN WAS GONE
   TURNED ON SOME MUSIC TO START MY DAY
I LOST MY SELF IN A FAMILIAR SONG
   I CLOSED MY EYES AND I SLIPPED AWAY

CHORUS (after each verse):

IT'S MORE THAN A FEELIN'    (MORE THAN A FEELIN')
   WHEN I HEAR THAT OLD SONG
      THEY USED TO PLAY     (MORE THAN A FEELIN')
AND I THINK YOU'RE DREAMIN' (MORE THAN A FEELIN')
   TILL I SEE MARY ANN WALK AWAY
I SEE MY MARY ANN WALKIN' AWAY   (omit this line on final chorus)

SO MANY PEOPLE HAVE COME AND GONE
THEIR FACES FADE AS THE YEARS GO BY
YET I STILL RECALL AS I WALK ALONG
AS CLEAR AS THE SUN IN THE SUMMER SKY

(chorus, solo, & intro)

WHEN I'M TIRED I THINK I'M COLD
I HIDE IN MY MUSIC, FORGET THE DAY
AND DREAM OF A GIRL I USED TO KNOW
I CLOSED MY EYES AND SHE SLIPPED AWAY
SHE SLIPPED AWAY  (last chorus & fade)

   INTRO (key of D)	1     b7-4   1	    b7-4

VERSE 1 & 2 (key of D)	1     b7-4   1	    b7-4
				1     b7-4   1     b7       4
(turnaround, key of G)	2m-1	 5

  CHORUS (key of G)	1-4   6m-5   1-4   6m-5
      (vocals)		1-4	 6m-5   1-4   6m-5
			     1-4	 6m-5   1-4   b6
(chorus 1 end, key of D)  2m	 5	   4	    4   (to intro and verse 2)
(chorus 2 end, key of D)  2m	 5	   6m-5  4-1
				5	 5	   (to solo)

   SOLO (key of D)  	1-4	 1//5   1-4   1-5
				1-4	 6m//5  1-6m  2m-5
				4	 4	   1   (to intro & verse 3)

	VERSE 3		1	 b7-4   1	    b7-4
				1	 b7-4   1	    b7-4
				1	 b7-4   1	    b7-4
				1	 b7-4   1	    b7	   4
(turnaround, key of G)	2m-1	 5	   5

LAST CHORUS (key of G)	1-4	 6m-5   1-4   6m-5
				1-4	 6m-5   1-4   6m-5
				1-4	 6m-5   1-4   6m-5
				1-4	 6m-5   1-4   6m-5 . . .


MORE THAN WORDS  		   			   Extreme, 1991 (#1)
(There were two versions of this tune. The first ended by repeating
the chorus, the second, shorter version with a second bridge.)

Underlined words are the first beat of each measure.

/ SAYIN' "I LOVE YOU" IS NOT THE WORDS I WANT TO HEAR FROM
YOU--IT'S NOT THAT I WANT YOU NOT TO SAY BUT IF YOU ONLY
KNEW HOW EASY IT WOULD BE TO SHOW ME HOW YOU FEEL MORE THAN
WORDS IS ALL YOU HAVE TO DO TO MAKE IT REAL THEN YOU 
WOULDN'T HAVE TO SAY THAT YOU LOVE ME 'CAUSE I'D ALREADY

CHORUS (after each verse in longer version):

KNOW--WHAT WOULD YOU DO IF MY HEART WAS TORN IN TWO MORE THAN
WORDS TO SHOW YOU FEEL THAT YOUR LOVE FOR ME IS REAL--WHAT
WOULD YOU SAY IF I TOOK THOSE WORDS AWAY
THEN YOU COULDN'T MAKE THINGS NEW JUST BY SAYING I LOVE

BRIDGE:

YOU--DA DA DEE DA DA DEE DA--/ /MORE THAN
WORDS--DA DA DEE DA DA DEE DA . . .

/ NOW THAT I HAVE TRIED TO TALK TO YOU AND MAKE YOU UNDER-
STAND--ALL YOU HAVE TO DO IS CLOSE YOUR EYES AND JUST REACH OUT YOUR
HANDS AND TOUCH ME, HOLD ME CLOSE, DON'T EVER LET ME GO--MORE THAN
WORDS IS ALL I EVER NEEDED YOU TO SHOW THEN YOU
WOULDN'T HAVE TO SAY THAT YOU LOVE ME 'CAUSE I'D ALREADY

BRIDGE 2 (version 2):

KNOW --DI DI DI DI DI DEE DI DEE DI DI DI--MORE THAN
WORDS--DI DI DI DI DI DEE DI DEE DI DI DI MORE THAN WORDS

 INTRO	1		4		2m		4-5	      (x2)

 VERSE	1		4		2m		4-5
		1		4		2m		4-5
		6m		2m		5		1-5		6m
		2m		5		17		4
		4m		1		6m		2m (hold)	5 (hold)	(5-2dim)

CHORUS	1		1		5		6m1-3m	4
		2m		2m		5		1
		1		5		6m1-3m	4
		2m		2m		5 (hold)

BRIDGE	1		4		2m		4-5
		1		4		2m (hold)	5 (hold)


MUSTANG SALLY			        Wilson Pickett (1966)

MUSTANG SALLY--YOU BETTER SLOW THAT MUSTANG DOWN
MUSTANG SALLY--GUESS YOU BETTER SLOW THAT MUSTANG DOWN
YOU BEEN RUNNIN' ALL OVER TOWN
   I GUESS YOU BETTER PUT YOU FLAT FEET ON THE GROUND	

CHORUS (after each verse):

ALL YOU WANNA' DO IS RIDE AROUND SALLY--RIDE SALLY RIDE
ALL YOU WANNA' DO IS RIDE AROUND SALLY--RIDE SALLY RIDE
ONE OF THESE VERY MORNINGS
   I'M GONNA BE WIPIN' THOSE WEEPIN' EYES

I BOUGHT YOU A BRAND NEW MUSTANG IT WAS IN NINETEEN-SIXTY-FIVE
NOW YOU COME AROUND TO SEE IF I WANT IT
   GIRL YOU WON'T LET ME RIDE
MUSTANG SALLY NOW BABY, GUESS YOU BETTER SLOW THAT MUSTANG DOWN

	1		1		1		1
	4		4		1		1
	5		4		1		1

	
MY BOYFRIEND'S BACK			        Angels (#1,1963)

INTRO:

HE WENT AWAY AND YOU HUNG AROUND
AND BOTHERED ME EVERY NIGHT
AND WHEN I WOULDN'T GO OUT WITH YOU
YOU SAID THINGS THAT WEREN'T VERY NICE

MY BOYFRIEND'S BACK AND YOU'RE GONNA BE IN TROUBLE
   (HEY LA, HEY LA--MY BOYFRIEND'S BACK)
WHEN YOU SEE HIM COMIN' BETTER CUT OUT ON THE DOUBLE
   (HEY LA, HEY LA--MY BOYFRIEND'S BACK)
YOU'VE BEEN SPREADIN' LIES THAT I WAS UNTRUE
   (HEY LA, HEY LA--MY BOYFRIEND'S BACK)
SO LOOK OUT NOW 'CAUSE HE'S COMIN' AFTER YOU
   (HEY LA, HEY LA--MY BOYFRIEND'S BACK)
AND HE KNOWS THAT YOU'VE BEEN TRYIN'
   AND HE KNOWS THAT YOU'VE BEEN LYIN'

HE'S BEEN GONE FOR SUCH A LONG TIME  (HEY LA...)
NOW HE'S BACK AND THINGS ARE GONNA BE FINE (HEY LA...)
YOU'RE GONNA' BE SORRY YOU WERE EVER BORN  (HEY LA...)
CAUSE HE'S KINDA BIG AND HE'S AWFUL STRONG  (HEY LA...)
AND HE KNOWS I WASN'T CHEATIN'
   AND YOU'RE GONNA GET A BEATIN'

BRIDGE:

WHY DID YOU THINK HE'D BELIEVE ALL YOUR LIES   (WA-OO, WA-OO)
YOU'RE A BIG MAN NOW BUT HE'LL CUT YOU DOWN TO SIZE  (WA-OO)
   WAIT AND SEE

MY BOYFRIEND'S BACK, HE'S GONNA SAVE MY REPUTATION  (HEY LA...)
IF I WERE YOU I'D TAKE A PERMANENT VACATION  (HEY LA...)

ENDING:

(HEY LA, HEY LA--MY BOYFRIEND'S BACK...LA, HEY LA MY...)	
YEAH MY BOYFRIEND'S BACK
WELL LOOK OUT NOW, MY BOYFRIEND'S BACK 
WELL I CAN SEE HIM COMIN' SO YOU BETTER GET A RUNNIN', ALL RIGHT NOW
YEAH, YEAH, YEAH, YEAH. MY BOYFRIEND'S BACK NOW
OH HE'S COMIN' AFTER YOU BECAUSE HE'S KNOWS THAT I WAS TRUE NOW
YEAH, YEAH , YEAH, YEAH, YEAH...

 VERSE	1		1		4		5
          1		1		4		5
          1		1		4		5
          1		1		4		5
          1		4		1		4

BRIDGE	4		4		1		1
		4		4		1		2-5

ENDING	1		4-5		1		4-5   ...


MY GIRL			 			   Temptations (#1,1965)

I'VE GOT SUNSHINE ON A CLOUDY DAY
WHEN IT'S COLD OUTSIDE I'VE GOT THE MONTH OF MAY

CHORUS (after each verse):

I GUESS YOU SAY WHAT CAN MAKE ME FEEL THIS WAY
MY GIRL--TALKING 'BOUT MY GIRL

I'VE GOT SO MUCH HONEY THE BEES ENVY ME
I'VE GOT A SWEETER SONG THAN THE BIRDS IN THE TREE (WELL...)

I DON'T NEED NO MONEY, FORTUNE OR FAME
I'VE GOT ALL THE RICHES, BABY, ONE MAN CAN CLAIM (WELL...)

ENDING:

I'VE GOT SUNSHINE ON A CLOUDY DAY WITH MY GIRL
I'VE EVEN GOT THE MONTH OF MAY WITH MY GIRL
TALKING 'BOUT, TALKING 'BOUT, TALKING 'BOUT MY GIRL
WOO, MY GIRL--THAT'S ALL I CAN TALK ABOUT, IS MY GIRL

 VERSE	1		4		1		4
		1		4		1		4

CHORUS	1-2m	     4-5		1-2m	     4-5
		1		1		4		5

ENDING	1		1		2m		5
		1		1		2m		5
		1		2m		5		1